February 28, 2020 – Strong Word

Getting Top Quality Ceiling Panels Newcastle

Chris / February 28, 2020

When undertaking any construction project, you ought to acquire only top quality supplies. You have to be keen on all your ceiling panels Newcastle suppliers before engaging any of them. You ought to scrutinize different potential sources of the panels and ascertain that indeed they can serve you and our project perfectly. If the source or the supplier falls short of your expectations, then you do not have to acquire the supplies from them. Depending on the design of the structure you are setting up, ensure that the ceiling panels Newcastle match as well. If the panels are not compatible and matching with the structure, then you should not proceed with the purchase of the supplies. Always ensure that the source will supply materials which are matching with the model you are setting up. This will ensure that the target design of the entire project is attained. The best source to acquire such panels ought to be supplying the standard quality. You need a supplier best known to offer standard materials that are ideal for different projects. If they are substandard, then they will not serve for many years after installation. You must research about quality standard ceiling panels before setting out to the field to acquire them. The reputation of different suppliers about their quality should guide you easily. It is advisable that you look for a source that supplies the materials at affordable prices. If the rates are extreme, then that may unlikely be the ideal option for you. Every project has a budget to be realized, and if the seller you encounter offers rates that are not accommodating, then you may have to seek an alternative source for the panels where the rates on offer are indeed standard and recommended. However, you should remain keen on the standard panels and avoid getting blinded by low prices some sellers offer. You need to look for a suitable professional to install the panels. Even if you were to acquire the standard quality panels and fail to engage qualified professionals, then the fruits you get in the long run will be substandard and unpleasant. Ensure that you only deal with installation professionals whose standards are on par. They should be adequately-skilled, equipped, and highly-experienced to handle the project. These may seem like trivial aspects, but if one is not keen on them, he or she may end up disappointed in the end.

Arts and Design

Clarice Cliff: An Artist For All Time

Chris / February 28, 2020

Born in 1899, Clarice Cliff is widely considered to be the foremost ceramic pottery artist in the world. Cliff grew up in the English town of Tunstall, Stoke-on-Trent. Her beginnings were modest; she was one of seven children and both parents worked. Her father, Henry Thomas Cliff, was employed at a local iron foundry while her mother, Ann, took in washing to make ends meet. Cliff attended a different school than her siblings, which may have contributed to her sense of independence and unusual path of career woman. Perhaps more providential, Cliff routinely visited an aunt, an accomplished hand painter, who lived nearby her school. At the age of 13, Clarice Cliff landed her first job in the pottery industry working as a gilder, meaning she added gold lines on traditional pottery ware. After mastering gilding, she decided to change jobs in order to learn freehand painting at another pottery factory while studying sculpture and art in her off hours at the Burslem School of Art. While most girls and young women were content to master only one or two essential pottery-making skills in order to maximize their income, Cliff was ambitious and passionate about her craft and was anxious to learn all she could about it. It is with this objective in mind that in 1916 Cliff decided to move to the pottery factory of A.J. Wilkinson at Newport, Burslem. At A.J. Wilkinson, Clarice Cliff was granted apprenticeships due to coming to the favorable attention of one of the owners of the factory, Colley Shorter, a man 17 years her senior. Shorter would reportedly become her lover and, eventually, her husband. Under his protection and nurturance, Cliff mastered the skills of modelling vases and figurines, hand painting, enameling, and how to keep pattern books. These skills would prove essential to her later becoming a tour de force in the field of ceramic arts. In 1927, Cliff’s hard work and dedication were recognized when she was given her own studio and even credited for the unique shapes and patterns she designed. While initially she only had a few artists working for her, it was only a matter of a couple of years before Cliff was running her own ceramic pottery factory. After several years of creating her own designs and style, notably Art Deco, Cliff was appointed Art Director at A.J. Wilkinson. Cliff eventually married Colley Shorter but after Shorter’s death in 1963, Cliff sold the factory and retired. In 1972, Cliff died suddenly at the home she had shared with her mentor and husband. In 1976, admirers of Cliff’s work, Peter Wentworth-Sheilds and Kay Johnson, published a book about her and opened an exhibit of her work. This arguably sparked a revival of interest in her work that continues to this day.